![]() ![]() ![]() ![]() Lovecraft’s books have always been a source of inspiration to our music, the “Truth” whispered as “literature” between lines, the knowledge about occultism sarcastically delivered through “stories” poisoning your mind. How did you first become aware of Lovecraft, and how has research into the occult influenced your life and music? Unaussprechlichen Kulten – Teufelsbücher by Iron Bonehead Productions The Teufelsbücher stated firmly that every mortal committing a sin would inevitably fall under the powers of the lord of hell. The Devil acquires strength step by step, which will reach its zenith in the 16th and 17th centuries when Europe granted an enormous attention to the Devil. In the period it was published with 39 original copies, they are in great deal the precursors of the great house of witches. So “The Books of the Devil” was perfect for our new album: written in German, it had its pinnacle during the end of Luther’s existence in 1545 until 1604. He had himself read many of them a Latin version of the abhorred Necronomicon, the sinister Liber Ivonis, the infamous Cultes des Goules of Comte d’Erlette, the Unaussprechlichen Kulten of von Junzt, and old Ludvig Prinn’s hellish De Vermis Mysteriis.” How did you choose the album name of your new record, and how do the contents of historical “Books of the Devil” influence the lyrics and music contained within?Īll this comes from our Lovecraftian devotion: Lovecraft, not only the author of a whole pantheon of deities, but also accountable for a complete collection of apocryphal books and texts, or as he himself would say: “dreaded repositories of equivocal secrets and immemorial formulae which have trickled down the stream of time from the days of man’s youth, and the dim, fabulous days before man was. ![]() A bad picture I took of Kulten playing in Oakland. ![]()
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